2000.fi was composed as a fanfare for the new Millennium and is a solo vehicle for drums. The writing is very contrapunctual in some sections. It benefits from twelve-tone technics in some of its
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Not the tune by Chicago! The composer came up with the groove for this chart while driving Interstate 95 in Miami. Since it is in 6/4 time, the title jokingly speaks for itself. Solo spots are for
This arrangement of the beloved hymn begins with a rubato statement of the first verse and moves into a gospel/swing 3 feel. Keys: C modulating up to D-flat, modulating up to D. Also featured
This small group arrangement for 3 horns and rhythm section alternates between an Afro-Cuban feel and an easy 3/4 swing with fluid and richly harmonized melodic lines.
This is a fun (and easy) chart that you can add into your holiday season concert with just a little rehearsal. Intriguing harmonic shifts and some surprise modulations keep this familiar tune interesting
An up-tempo rendition of the Vincent Rose standard, this arrangement features extended solos for trumpet and piano. Saxophone players get a technical challenge on this one! Instrumentation: Alto I/Flute,
This movement is written for full big band, including woodwind doubles with alto saxes on flutes and B-flat clarinets; tenors on B-flat clarinets; and baritone sax on bass clarinet. Additionally, the
Begin, Began, Begun is a clarinet solo feature with nods to Artie Shaw and Eddie Daniels. The style undergoes changes from a groove with a 16th pattern on hi-hat, to afro-cuban 6/8, to medium
Bitter Jug is an up-tempo swing chart featuring an original melody written over the chord changes to Fats Waller's Jitterbug Waltz. The solos can be played by any instruments, and
Boogalues is a medium Boogaloo blues in the key of D, written as a guitar feature in the style of Wes Montgomery with the melody in octaves. It's appropriate for strong high school bands, as well
Composed as an exercise in restraint built off a simple two-chord motif, this tune gets twisted from a modern jazz trio to an a cappella orchestral interlude, and finishes with a rocking flourish. The solos
This contemporary Songo Fusion flavored piece was commissioned by the Conjunto High-Energy Big Band of Tokyo, Japan, Shunsuke Nakazato, director. It is inspired by the music of Michel Camilo and features
Here's an Afro-Cuban Songo in 3-2 clave, inspired by one of the most important streets of Santo Domingo, Dominican Republic, "El Conde." Orchestrated for 5 saxes, 4 trumpets, 4 trombones, and rhythm
This chart is an adaptation of the Dirty Dozen Brass Band version with an infectious groove! Tuba is essential to the general character, but the part is playable with a good bass trombone substitute. The